Virtuální mobilita

Courses tagged with "Virtuální mobilita"

DESCRIPTION
As the name of this course suggests, its main concern will be writing by and about women from around the 11th to the 17th century. The medieval part of the seminar will cover predominantly texts in Middle English, with one short introductory lesson on Old English material. Familiarity with these languages is not necessary, since full or partial translations will be provided. The main aim of this part will be the analysis and comparison of various ways women are depicted by male authors across different genres and how they describe their lives in their own words. We will look at various ideals and ideas of femininity presented in these works, as well as ways in which they are subverted. An added bonus may be an increased ease with material in Middle English by the end of the course. The early modern part of the seminar focuses on early modern women writers across different genres and the depiction of women in Elizabethan and Jacobean drama. We will cover professional lives of women with Isabella Whitney’s lamentations, religious ruminations by Rachel Speght, and private and public concerns of Elizabeth I. As such, the main discourse regarding women participating in public life will be discussed. Following that, we will focus on the representation of women in early modern drama. We will discuss three plays by William Shakespeare and The Duchess of Malfi by John Webster. In Othello, our focus will be on the character of Emilia and her plea for gender equality; in Macbeth, we will discuss different feminist interpretations of Lady Macbeth and in Antony and Cleopatra, we will focus on the complexity of the eponymous heroine. In John Webster’s The Duchess of Malfi we will direct our attention to Webster’s criticism of the attempts to limit female sexuality.

ASSESSMENT
In order to obtain credit [zápočet], students must regularly submit a short feedback on weekly readings (200-300 words) with maximum of three missed submissions. Active participation in class is expected as well. If they choose the option of an exam [zkouška], the students will have to submit an essay of at least 4,500 words on a topic agreed beforehand with one of the instructors. The essay must reference at least 5 secondary sources. The deadline for submitting the abstracts for this essay is January 10, 2025.
Summer Term 2024, Mondays 15:50–17:20
Course number: AAALC036AE
Room: P001
Credit value: 5 ECTS

COURSE DESCRIPTION

Content and aims of the course: The seminar will introduce students to some of the female Irish writers dominating the anglophone literary scene in recent years, bring attention to a variety of issues that they address, as well as outline the ongoing discussion of Irish women’s writing in literary studies. Furthermore, it aims to suggest some trends emerging in contemporary Irish women’s writing, including a preoccupation with space and place, a tendency to reappropriate age old imagery, a focus on character driven writing, and an opening up of themes such as social inequality, gender identity, trauma, and plurality of experience.

The course will start with an introductory session giving a brief summary of Irish women writing’s history and the status of women writers in Ireland now. Selected works of fiction and drama will be discussed in the following ten weeks. Each session will feature a brief introduction to the author and her works, a student presentation on one of the assigned texts, and a discussion aided by prompt questions (posted beforehand by the lecturers and students in a Moodle forum).

ASSESSMENT

1. Regular attendance

2. Active participation in debates (based on the assigned reading), as well as participation in the weekly forum (posting a question related to the assigned reading)

3. A fifteen–minute, in-class presentation on the text provided for the week’s session

4. A final essay of 2,500–3,000 words on a topic chosen by the student and consulted with the lecturers


Essays must include full bibliographical references and footnotes for all works cited or paraphrased in accordance with the Notes and Bibliography Chicago style (for basic guidelines, see https://ualk.ff.cuni.cz/students/essay-guidelines-2/). Students are advised not to use Internet sources in place of adequately researching texts available in print or in academic digital collections.
Essays that have no research base or fail to cite sources transparently and appropriately (i.e., are plagiarised) will not be graded and will result in failing the course. Should an essay be unsatisfactory for reasons other than plagiarism, students have the opportunity to submit a rewrite on condition that the rewritten work is submitted with the marked original.
Can you name all the political powers that have had a colonial presence on Taiwan?
Why do Taiwanese today look favorably at the Japanese colonial period, when most other places in Asia have a very negative view of that time?
How do Taiwanese deal with the ever-looming possibility of war across the Taiwan Strait?

In this introductory class to Taiwan, we will be exploring questions like these.
Located at the edge of empires, Taiwan has a unique colonial history that connects Asia, Europe, and North America.
We will delve into history from the vantage of contemporary Taiwan, which is both post-colonial and democratic, and investigate what role the colonial experience plays in nation-building today.
With this complex historical backdrop, the class will then focus on new, “aquatic” as well as land-based perspectives on Taiwan that have the potential of moving the island and its inhabitants out of the orbit of empire.

The class will be held in English. No prior knowledge of Taiwan is required, but I expect active participation, an interest in challenging your own biases and assumptions, and the willingness to read about one or two academic articles or chapters per week (typically around 30 pages though the assignments can occasionally exceed that number).

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Category: Sinology
This practical course is designed for international (Erasmus) students in psychology, neuropsychology, cognitive neuroscience, and related disciplines. The course offers hands-on experience in the administration and interpretation of neuropsychological tools for evaluating cognitive, emotional, and functional status in clinical populations. Students will gain exposure to common assessment tools, including cognitive screeners (e.g., MMSE, MoCA), tests of memory, attention, executive function, visuospatial skills, mood, and daily living abilities. Emphasis is placed on clinical reasoning, data integration, and report writing in accordance with international standards in clinical neuropsychology.
This module provides an accessible introduction to modern research methods, focusing on widely applicable approaches that are shaping research practices internationally but remain underutilised in Czech psychology.
The question of relation between state and religion is, has been, and will be essential to Western political thought. In this seminar, we will look at various Medieval Western Christian political thinkers and discuss how they
conceptualize religion within their works and theories, and what space they provide for religious otherness, especially with regards to Islam. This goal presupposes first discussing the more general Western perceptions of
Islam and Muslims during the Long Middle Ages.
Susanne K. Langer (1895-1985) was a US philosopher, whose work is currently being rediscovered and re-evaluated by a new generation of scholars. This course aims to explore and interpret the core tenets of her philosophy while shedding light on motivations behind the renewed interest in her work. Emphasis will be placed on Langer’s perspectives regarding philosophical and scientific significance of art. We will examine how the concepts she introduced in aesthetics intersect with various other areas of philosophical and scientific research.

Through close reading of her work and in-class discussions, our exploration will center on questions such as:
• What insights does art provide into the human mind?
• How does art contribute to our understanding of the evolution of the human brain?
• What is art’s social significance, if any?

The course is open to students from all academic disciplines and levels. With a class limit of 20 students, priority

placement will be given to those from the aesthetics department.


Requirements

The classes will be primarily organized as a reading group. Participants are required to attend in-person,
thoroughly prepare for each class by completing the assigned readings, and actively contribute to class
discussions (up to 40 points). Furthermore, they should participate in the classroom blog (up to 40 points) and
submit an essay (up to 40 points).
The evaluation is as follows: 80 and above: A // 65 – 79: B // 50 – 69: C.