Skip to main content
Side panel
DL 1
Home
Support
User support
GDPR
More
English (en)
Русский (ru)
Čeština (cs)
Deutsch (de)
English (en)
Français (fr)
You are currently using guest access
Log in
Home
Support
Collapse
Expand
User support
GDPR
Open course index
Home
Courses
Faculty of Arts
Department of Film Studies
Audiovizuální esej
Haptická tendence
Catherine Grant - Christian Keathley: The Use of an Illusion: Childhood cinephilia, object relations, and videographic film studies
Catherine Grant - Christian Keathley: The Use of an Illusion: Childhood cinephilia, object relations, and videographic film studies
Completion requirements
Mark as done
Click on
Catherine Grant - Christian Keathley: The Use of an Illusion: Childhood cinephilia, object relations, and videographic film studies
to open the resource.
◄ Laura Mulvey: Cinematic Gesture: The Ghost in the Machine
Jump to...
Jump to...
Oznámení
Základní informace o kurzu
[in]Transition
Audiovisualcy
Tiago Baptista, Lessons in Looking: The Digital Audiovisual Essay
Jiří Anger, Médium, které myslí sebe sama: Audiovizuální esej jako nástroj bádání a vyústění akademických trendů
Kevin B. Lee: What Makes a Video Essay Great?
Tessa Dwyer - Jenny Robinson: Unseen Screens: Eye Tracking, Magic and Misdirection
Zrození audiovizuálních esejí z ducha avantgardy
Catherine Russell: Archiveology
Nora M. Alter - Timothy Corrigan (eds.): Essays on the Essay Film
Laura Rascaroli: How the Essay Film Thinks
Cristina Álvarez López - Adrian Martin: Introduction to the audiovisual essay: A child of two mothers
Tom McCormack: Compilation Nation
Corey K Creekmur: On the Compilation and Found-Footage Film Traditions of the Video Essay
John Bresland: On the Origin of the Video Essay
Filmová věda v audiovizuální podobě
Raymond Bellour: The Unattainable Text
Raymond Bellour: Analysis in Flames
Laura Mulvey: Death 24x a Second
Mark Parker - Deborah Parker: DVD and the Study of Film
Andrew Klevan - Alex Clayton (eds.): The Language and Style of Film Criticism
Eric Faden: A Manifesto for Critical Media
Miklos Kiss - Thomas van den Berg: Film Studies in Motion
Michael Witt: Taking stock: Two decades of teaching the history, theory, and practice of audiovisual film criticism
Erlend Lavik: The Video Essay: The Future of Academic Film and Television Criticism?
Roland Barthes: The Third Meaning
Thierry Kuntzel: Nostos
Haptická tendence
Christian Keathley: La caméra stylo: Notes on video criticism and cinephilia
Catherine Grant: The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking
Catherine Grant: Déjà-Viewing? Videographic Experiments in Intertextual Film Studies
Catherine Grant: Star Studies in Transition
Laura U. Marks: The Skin of the Film
Laura Mulvey: Cinematic Gesture: The Ghost in the Machine
Adrian Martin - Cristina Álvarez López: Writing in Images and Sounds
Mediálně-reflexivní tendence
Jay David Bolter - Richard Grusin: Imediace, hypermediace, remediace
Lev Manovich: The Language of New Media
Alexander R. Galloway: The Interface Effect
Jihoon Kim: Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age (úvod)
Kevin B. Lee: De-coding or Re-Encoding?
Jacob T. Swinney: Not Directed by Terrence Malick
Cristina Álvarez López - Adrian Martin: “Twin Peaks: The Return” — Then He Kissed Me
Allison de Fren: WTF IS THAT? The Pre- and Post-Cinematic Tendencies of Paranormal Activity
Jason Mittell: Adaptation's Anomalies
Tomáš Svoboda: Jako z filmu (disertační práce)
Kateřina Svatoňová: Život v obrazech a odchylující se vidění
Jako z filmu je i o životě. Rozhovor s Tomášem Svobodou
Jan Křipač: Jako z filmu (recenze)
Jako z filmu - myšlenková mapa
Adrian Martin - Cristina Álvarez López: Writing in Images and Sounds ►